عنوان مقاله [English]
In the contemporary era, Nima Yushij having a deep understanding of literary, social, and political conditions of Iranian society opened a new way for Persian poetry and thereafter, many other poets took steps to keep this new method dynamic. Mohammd Zohari, the poet of the shortest Persian schema, is one of the students of Nimaii style. He is eminent due to his continuous presence in the fields of three decades of contemporary poetry and publication of different collections using his special style and poetic independence, therefore in the analysis of movements in she’r-e now (blank verse) and the comprehensive investigation of its evolution it is inevitable to take his works into consideration. The present study seeks to elaborate on literary activities by Zohari and his status in contemporary poetic movements, and also to analyze the morphology of his works, particularly from content point of view and to determine the overriding intellectual perspective in each of his works. Some other issues which are investigated in this research study include minimalistic approach of Zohari and his gradual movement in poetic tactics such as keeping distance from archaic style in language form and instruments and recovering from the dominance of prosodic segments in order to reach a soft and lyrical language.