نوع مقاله : بلاغی
نویسندگان
1 بابلسر- دانشگاه مازندران- دانشکده ادبیات و زبان های خارجی
2 استاد، زبان و ادبیات فارسی، دانشکده علوم انسانی و اجتماعی، دانشگاه مازندران، بابلسر، ایران
3 دانشیار، زبان و ادبیات فارسی، دانشکده علوم انسانی و اجتماعی، دانشگاه مازندران، بابلسر، ایران
چکیده
کلیدواژهها
موضوعات
عنوان مقاله [English]
نویسندگان [English]
Language, as a means of communication and information exchange, is important for understanding the thoughts and ideas of the human mind. With the evolution of language and the emergence of linguistics, a branch of it called cognitive linguistics was formed, and in one of its fields of study, namely cognitive semantics, which examines the relationship between human experience, the system of concepts, and the semantic structure of language, conceptual metaphor and visual diagrams were proposed. In conceptual metaphor, which emerges from two domains of origin and destination and focuses on mappings, our conceptual system and metaphorization patterns are important. These patterns, which have arisen from various fields such as history, myth, epic, religion, mysticism, and the like, and can be referred to as culture, are considered the origin of conceptual metaphor. This research, using a descriptive-analytical method and a cultural approach, has examined the conceptual metaphor of animate and fluid hypocrisy and salus in Hafez's sonnets. Its main result was the achievement of the macro-metaphor "hypocrisy is destructive", because Hafez conceptualized hypocrisy with material phenomena that lead to discredit, fruitlessness, and destruction. Hypocrisy's metaphorization is often carried out with a power scheme of reciprocal force and the creation and removal of obstacles, which is culturally compatible with the conditions and customs of mystical conduct. The destructiveness of hypocrisy and Hafez's relentless struggle to eradicate it are the products of his cultural experiences. Some of these experiences, such as Riya as a rebellious person, Riya as a bad smell, and Riya as wine, narrate Hafez's intracultural experiences in Fars and Shiraz and, on a broader level, narrate the collective psychological aspirations of Iranians throughout history.
کلیدواژهها [English]
ارسال نظر در مورد این مقاله