نوع مقاله : بلاغی
نویسندگان
1 دانشیار زبان وادبیات فارسی دانشگاه گیلان
2 دانشجوی دکتری زبان و ادبیات فارسی دانشگاه گیلان
چکیده
کلیدواژهها
موضوعات
عنوان مقاله [English]
نویسندگان [English]
Symmetry is one of the fundamental concepts in literature, playing a crucial role in creating coherence and harmony within literary works. This study offers a novel perspective on symmetry by examining it from rhetorical viewpoints while grounding its definition in its mathematical origins. In mathematics, symmetry refers to the invariance of an object under a specific transformation, encompassing three essential principles: transformation, structure, and preservation. Similarly, in literature, symmetry can be categorized into four types: rotational, axial, transitional and homothetic. These forms of symmetry contribute significantly to the proportionality and balance of a literary work’s structure, particularly in poetry. This research specifically analyzes mirror or axial symmetry in Hafez’s ghazals, demonstrating how he employs rhetorical devices such as similes to create specific images in one hemistich and reflect them in the following one. In this way, the second hemistich serves as the symmetrical counterpart of the first. Additionally, by using devices like antithesis, zeugma, parallelism and epanalepsis, Hafez establishes verbal and conceptual symmetry, which aligns with the principles of mirror symmetry. This interplay of rhetorical elements results in balanced and symmetrical poetic forms, enhancing both the formal and semantic aesthetics of his poetry. The findings of this study reveal that mirror symmetry contributes to the development of hidden semantic layers, reinforcing the structural coherence and aesthetic appeal of Hafez’s poetry. It serves as one of the key stylistic and artistic principles underlying his imagery and poetic beauty.
کلیدواژهها [English]
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