نوع مقاله : بلاغی
نویسندگان
1 دانشیار زبان و ادبیات فارسی، پژوهشگاه علوم انسانی و مطالعات فرهنگی، تهران، ایران.
2 دانشجوی دکتری زبان و ادبیات فارسی، پژوهشگاه علوم انسانی و مطالعات فرهنگی، تهران، ایران.
چکیده
کلیدواژهها
موضوعات
عنوان مقاله [English]
نویسندگان [English]
In the Divan‑e Shams, an extensive network of animal‑based metaphors is employed to articulate lover/beloved and human/God relations, as well as to represent mowlana experiential encounter with Shams‑e Tabrizi. The central question of this study is how the “lion and gazelle” dyad in the ghazals of the Divan‑e Shams, beyond a merely poetic image, functions as a cognitive mechanism and what mappings of “power and surrender” it organizes. It further asks how this metaphorical system relates to the notion of the “eloquent silence” (Eloquent in silence) as one of the key outcomes of mowlana spiritual and personal transformation resulting from his meeting with Shams. The aim of the research is to explicate the conceptual structure of the “lion/gazelle” metaphor, to identify its source and target domains and the oppositional patterns that shape it, and to demonstrate its connection with mowlana transformative lived experience (from conventional speech to meaningful silence/eloquent quietude), drawing on Lakoff and Johnson’s theory of conceptual metaphor. The study adopts a qualitative descriptive‑analytical method. Its findings show that this metaphor is primarily organized around three axes: “power/surrender,” “hunting/desire,” and “attraction/annihilation.” Within this framework, the “lion” is conceptualized as the beloved (with the potential to signify the presence of Shams), and the “gazelle” as the yearning seeker (with the potential to refer to mowlana). Moreover, patterns such as “love is hunting” and “the beloved is a lion” narrate the story of mowlana existential transformation and indicate how, through attraction and annihilation, the tension between power and surrender tends toward the unity of lover and beloved, such that “eloquent silence” and “silent eloquence” emerge as the natural result of crossing from language into the realm of presence and the witnessing of beauty.
کلیدواژهها [English]
)
ارسال نظر در مورد این مقاله