Incorrect Categorization of Figurative Tropes into Verbal and Semantic

Document Type : Rhetoric

Authors

1 PhD student of Persian Language and Literature, lyrical literature trend, Shiraz University, Shiraz, Iran

2 Professor, Department of Persian Language and Literature, Shiraz University, Shiraz, Iran

10.22091/jls.2024.11543.1641

Abstract

Rhetorical science, as one of the three branches of eloquence studies, has long been recognized as an independent field. Given that the nature of literature is inherently creative and generates new techniques and ornaments alongside the poet’s art and creativity, it can be argued that in many cases, rhetorical science (the study of poetic virtues) has lagged behind. The teaching and learning of this field can also sometimes be problematic. Identifying its weaknesses and striving to address them is an unavoidable necessity. This article, using an analytical-descriptive method, addresses one of the shortcomings of this science: the incorrect classification of rhetoric into verbal and semantic, which has become an inseparable part of this field for centuries. It seems that contrary to the opinion of the vast majority of authors of rhetorical books, the definition and differentiation between these two categories are neither logical nor scientific. Consequently, in some cases, it is difficult to correctly determine whether a particular ornament or technique belongs to verbal or semantic rhetoric based on this classification. Because sometimes we encounter industries in which both words and meaning play a role at the same time, and sometimes devices have been mentioned which their rhetorical value does not depend on the rhythm of words and meaning, but rather on its eye-catching appearance, more than anything else, has caused literary and artistic enjoyment.

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Rhetoric and Grammar Studies
Volume 14, Issue 25
Spring and summer
August 2024
Pages 189-205

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