Examining the aspects of musical de-familiarization of Mahmoud Kiyanoosh children's poems

Document Type : Research Paper

Authors

1 Assistant Professor, Department of Persian Language and Literature, University of Tehran, Tehran, Iran

2 Professor, Department of Persian Language and Literature, University of Tehran, Tehran, Iran

3 PhD student in Persian language and literature, Alborz Campus, University of Tehran, Tehran, Iran

10.22091/jls.2022.7957.1373

Abstract

This study has studied the aspects of musical familiarization in Mahmoud Kiyanoosh's children's poems with a formalistic approach and an analytical-descriptive method. Russian formalists pay special attention to the new language, especially the music of the language, to the extent that they prioritize saying over saying. The field of children's poetry is also based on the main axis of language music. In this transition, the importance of paying attention to the musical factors in children's poetry is paying attention to all the factors that lead the word towards poetry and, according to the formalists, lead to linguistic prominence. From the application of this theory to Kiyanoosh's childhood poems, it can be said that his linguistic prominences in the external and lateral music axes are two important and significant factors in enriching his poems. With the help of the knowledge of classical and modern poetry, Kiyanoosh has identified the language of children's poetry and has been successful in beautifying words and influencing the audience by using musical art forms. According to the findings of this study, using rich types of rhymes and dynamic rows, selecting the pleasant weights of the stream and earlobes such as sand and arrogance, along with paying attention to the functions of rows and rhymes, focusing on matching the theme with poetic weights and selecting rows Related to the theme of poetry, it is one of the tricks that Kiyanoosh has consciously and artistically used in the service of children's poetry language and the result of accurate and appropriate use of musical compositions, has turned his poetry into a creative and dynamic poem; A poem that is close to pure art and can be explained by theories such as the "musical unfamiliarity" of Russian formalists.

Keywords

References

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Rhetoric and Grammar Studies
Volume 11, Issue 20
February 2022
Pages 263-286

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