Linguistic and literary values of Sequential adjectives in the Tarikh Wassaf (Vol. 4)

Document Type : Academicm and Research

Author

Department of Persian Language and Literature, Faculty of humanities sciences, university of Farhangian Shahid Mofatteh, tehran: rey, iran

Abstract

 
Sequential adjectives, is bringing Continuous adjectives with a particular order for a noun. The usege of sequential adjectives in artifact prose is a common practice, and the authors of these texts use it for reasons such as explicit or prolixity, creating music, fantasizing the text, and inducing new concepts. The vast use of this literary art in Tarikh Wassaf, has made it a lightweight style. The value of Sequential adjectives in the Tarikh Wassaf is to build a composition and original adjective that the author with his creation by the richness of the lexical-linguistic content of the text and the extent of music and imagination. The purpose of this research is to show the generosity of the word in composite Sequential adjectives, the methods of making adjectives, the rhetorical values ​​of this figure of speech, and the effects on the text and the reader. The research method is library and descriptive-analytic study. The results of the research indicate that the construction of adjectives used in Sequential adjectives phrases in Tarikh Wassaf is more than a combination of two simple words (noun / adjective / root)+ noun, and Wassaful Hazarah made many words with this structure. Most of the sequential adjectives of this book are objective and are written in the description of humans and domesticated animals or is about eulogy  which are connected in most cases with e, and most of the Literary techniques created in them, such as symmetry, alliteration, Words of the same weight, simile  and symbol.

Keywords

References

Ayati, Abdolmuhammad. (1968). Writing of Tarikh Wassaf. Tehran: Iranian culture fundation.
Beihaghi, Ahmad. (1995). Taj al-Masader. Vol 2. Hadi Alamzadeh (ed.), Tehran: institute of studies and cultural publicity.
Dehkoda, Aliakbar. (1998). Encyclopedia of Dehkhoda. Tehran: Tehran University.
Fesharaki, Muhammd. (1999). Criticism of figure of speech (Badi). Tehran: Samt.
Homayi, Jalal al-Din. (2010). Rhetorical techniques and literary crafts. Tehran: Ahoora.
Kashefi, Hosein. (1990). Badaye al-Afkar fi Sanaye al-Ashar. Vol 1. Jalal al-Din Kazzazi (Ed.). Tehran: Markaz.
Raduyani, Muhammad Ibn Omar. (1984). Tarjoman al-Balagheh. Vol 1. Ahmad Atash (ed.), Tehran: Asatir.
Rami Tabrizi, Hasan. (1963). Haghayegh al-Hadaegh. Vol 1. Muhammad kazem Emam (Ed.). Tehran.
Rastgu, Muhammad. (2002). the Art of Speech. Tehran: Samt.
Razi, Shams Gheys. (2008). Al-Mojam fi Maayir al-Ashar al-Ajam. Ghazvini& Modarres Razavi& Sirus Shamisa (Ed.). Tehran: Elm.
Safipoori, Abd al-Rahim. (1880). Montahi al-Erab. Vol 3&4. Tehran: Sanayi.
Shafiee Kadkani, Muhammadreza. (1994). Poetry Music. Print 4. Tehran: Agah.
Shamisa, Sirus. (1999). Figure of speech, a new outline. Print 12. Tehran: Ferdows.
Shams al-Olama Garakani, Muhammad hosein. (2009). Ghotuf al-Rabi fi Sonuf al-Badi. Tehran: Academy of Persian Language and Literature.
Shariat, Muhammad Javad. (1997). Simple Farsi grammar. Tehran: Asatir.
Tabatabayi, Ala al-Din. (2003). Compound noun and adjective in Persian Language. Tehran: Markaz.
Taj al-Halavi, Ali. (1963). Daghayegh al-Sher. Vol 1. Muhammad kazem Emam (Ed.). Tehran.
Wassaf al-Hazra, Abdollah Ibn Fazlollah. (2008). The History of Wassaf al-Hazra. Vol 4. Alireza Hajiannejad (ed.), Tehran: Tehran University press.
Watvat, Muhammad Rashid. (1984). Hadaegh al-Sehr fi Daghayegh al-Sher. Vol 1. Abbas Eghbal Ashtiani (Ed.). Tehran: Tahoori.
Writers Group. (2007). the Great Islamic Encyclopedia. Vol 16. Article 6117. Under Tansigh al-Sefat.
Zarrinkoob, Abdolhosein. (1989). History of Iran after Islam. Vol 5. Tehran: Amirkabir.
Zuzani. Hosein. (1995). Al-Masader. Vol 1. Taghi Binesh (Ed.). Tehran: Alborz.
Send comment about this article
CAPTCHA Image

Files

Share

How to cite

Statistics