A Survey on the Shapes of Satire and its Varities in Shams Maghalat
Leila
Aghayani Chavoshi
دکترای زبان و ادبیات فارسی، دانشگاه الزهرا، تهران
author
text
article
2017
per
Satire is a form of speech, an artistic and effective form in transferring a variety of themes. Satire is used in literary works in different forms and with different purposes. Maghalat Shams Tabrizi is one the texts in which this form has an eminent role. Taking into consideration Shams character and the function of satire in effective trasmiting of wise teaching this usage of satire is expected. According to this examine satire can be considered as one of the outstanding form of speech in Maghalat. A form which is used widely and in different types- types which are introduced in modern literary criticism. Verbal satire, Situational satire, and narrative satire are some of the most important types of satire in Mghalat Shams. Besides these known types of satire, Shams language in Mghalat is accompanied by a kind of subtleness as it can be said that the shadow of satire is spread all throughout Maghalat and Shams tone is generally satiric.
Rhetoric and Grammar Studies
University of Qom
2783-2619
7
v.
11
no.
2017
9
28
https://jls.qom.ac.ir/article_1012_b7aa96754959fbab3619272d7e0082e3.pdf
dx.doi.org/10.22091/jls.2018.1411.1064
Aspects of the Picture aesthetic and coordination with the emotions and thoughts
In the lyrics Nusrat Rahman
hojjatollah
omidali
استادیار گروه زبان و ادبیات فارسی دانشگاه اراک
author
mahdi
dehrami
استادیار گروه زبان و ادبیات فارسی دانشگاه جیرفت
author
text
article
2017
per
The image is a reflection of his inner emotions and thoughts of the poet and sensible way and when the Gorge will be singing in the train of thought and emotion. The purpose of this article is to show the functions of artistic images in poetry and harmony with the emotions and thoughts of his Rahmani that Analytical method with two image-oriented language (Verbal Image) and imaginary (Figurative Image) to fit the mindset and emotion Rahmani's poetic images. Pictures poets through summon words and making original descriptions created that this will make the room dark and in accordance with his ideas and the way in which Black called Romanticism. Rahmani imaginary images that reflect his emotions funds such as simile, metaphor, imagery and other virtual documents provided that embodies the spirit of defeat and despair of the poet.es that reflect his emotions funds such as simile, metaphor, imagery and other virtual documents provided that embodies the spirit of defeat and despair of the po
Rhetoric and Grammar Studies
University of Qom
2783-2619
7
v.
11
no.
2017
29
51
https://jls.qom.ac.ir/article_1008_8d4c27df45462e8263ff4eec24e4b4b1.pdf
dx.doi.org/10.22091/jls.2018.1575.1074
Study and Recognition the Second Translation of Amir Ali-Shir Nawai’s Majalis-ol-Nafayis
(Shah-Mohhamd Ghazvini’s Transliton)
hadi
bidaki
دانشجوی دکتری زبان و ادبیات فارسی دانشگاه فردوسی مشهد
author
text
article
2017
per
Majalis-ol-Nafayis is one of the biography of poets which ghazvini organized the second translation it and Ali-Asghar Hekmat is edited and published it in 1321. We are compare and contrast Hekmat’s edition with tree older and credible manuscripts and found which has not congruence text of Ghazvini’s translation and Hekmat’s edition with text of Majalis-ol-Nafayis, Because, from one side existent sometimes subjects in the Turkish manuscripts which Ghazvini is removed from own translation them. As sometimes is added subjects to own translation which not existent in the main text and sometimes is differ one of section from his translations with source text. On the other, Hekmat’s edition sometimes is differ with source text and have influenced record wrong in it. Ghazvini’s translation is wide influenced in the sources literary history and bibliographies after his; So it is essential be edited according to older and credible manuscripts again. . . . . . .
Rhetoric and Grammar Studies
University of Qom
2783-2619
7
v.
11
no.
2017
53
83
https://jls.qom.ac.ir/article_1007_2e8cd205e9e4d46d231aa64a2e242af1.pdf
dx.doi.org/10.22091/jls.2018.1509.1069
Analysis of the structure of the Iranian epic heroic stories based on myths theory calendar
مریم
خلیلی جهانتیغ
استاد گروه زبان و ادبیات فارسی دانشگاه سیستان و بلوچستان
author
زینب
شیخ حسینی
استادیار گروه زبان و ادبیات فارسی دانشگاه حضرت نرجس(س) رفسنجان
author
محمد
بارانی
دانشیار گروه زبان و ادبیات فارسی دانشگاه سیستان و بلوچستان
author
text
article
2017
per
Structuralist is approach that examines rules governing structure of texts according to their relations the entire text. After Prop researchers tried to examine the various texts with the discovery of their structure, they offer single command structure analysis. In this study, we tried to examine Iranian heroic stories based on stories of Shahnameh, Garshasp nameh, Coke Kuhzad and… with the content analysis method based on the theory of the structure of legends calendar to answer these question that can offer the Independent structure to Iranian hero stories from the building of Western epic story? And is the battle between the heroes type of the battle between the living and the dead, or the battle between good and evil? The aim of this study is to find similarities and differences between the making of this story that it is definitely the product of Vintage unconscious minds nations. Research results show that the heroic stories of the two levels mythical and validity of which may be in some stories, are not visible both together.
Rhetoric and Grammar Studies
University of Qom
2783-2619
7
v.
11
no.
2017
85
107
https://jls.qom.ac.ir/article_1006_73148d7c43180ff132d289833f238b4c.pdf
dx.doi.org/10.22091/jls.2018.1184.1042
Rhetorical criticism of Rashid Vatvat's poetry
sara
saeedi
پژوهشگر پژوهشگاه علوم انسانی و مطالعات فرهنگی
author
mohammad
ahmadi
پژوهشگر پژوهشگاه علوم انسانی و مطالعات فرهنگی
author
text
article
2017
per
Rashid al-Din Muhammad Umar-i Vatvāt is one of panegyrist poets in 12th-century, who had special skills in using artistic devices in composing poetry and this was a way for him to illustrate his talent in this regard. Unfortunately his poetry has never had popularity among contemporary scholars and they had only paid attention to his book about rhetoric known as Hadaegh –al Sehr, on the contrary to the litterateurs in past who were fond of his poetry and paid a lot of attention to his poems and his biography in various anthologies. In this essay we have analyzed the pros and cons of Rashid’s poetry and have tried to answer why contemporary scholars haven’t had interest in his poetry from different angles. Rashid’s innovations in poetry have also been analyzed in his essay and his position among poets and in the history of Persian poetry has been determined criticism, Rashid al-Din Muhammad Umar-i Vatvāt, rhetoric
Rhetoric and Grammar Studies
University of Qom
2783-2619
7
v.
11
no.
2017
109
127
https://jls.qom.ac.ir/article_1017_c4265b451964e53e00cf3b7a4943f3af.pdf
dx.doi.org/10.22091/jls.2018.1388.1062
“Nader Ebrahimi’s Poetic Language in Atash- e Bedoon- e Dood (Fire without Smoke)”
fatemesadat
taheri
Assistant Professor of Kashan University
author
zahra
Asgari
.
author
text
article
2017
per
Nader Ebrahimi is a scriptwriter, playwright, documentary filmmaker, songwriter, and an outstanding contemporary novelist. In addition to his short stories, Ebrahimi has written a seven-volume novel called Atash- e Bedoon- e Dood (Fire without Smoke) which has won the award of The-Twenty-Years-after-the-Revolution Novelist. A figurative language, a poetic prose, and his individual style are the distinctive features of Ebrahimi’s works, including Atash- e Bedoon- e Dood. This article by use of a descriptive method and a focus on the literary and stylistic features of the text attempts to answer this question "what has brought about such a poetic, impressive style in the AtasheBedoon- e dood?” It is argued that Ebrahimi’s disninction in Atash-e Bedoon- e Dood lies in his realistic story about of the people of the Torkaman Sahra and presenting the injustices done to them in the Pahlavi era. Furthermore, his figurative language, poetic prose, figures of speech, deployment of defamiliarization technique, the inclusion of regional phrases and regional dialect, lexical and syntactic archaism, and use of ancient poetry and prose result in such resurrection in the words of his novel that enchant every reader’s mind.
Rhetoric and Grammar Studies
University of Qom
2783-2619
7
v.
11
no.
2017
129
155
https://jls.qom.ac.ir/article_1016_c95dc205c0e52f6df295ef903063b6ed.pdf
dx.doi.org/10.22091/jls.2018.1257.1049
modern novel
ebrahim
mohammadi
دانشیار گروه زبان و ادبیات فارسی دانشگاه بیرجند
author
maryam
afrafar
دانشجوی دکترای زبان و ادبیات فارسی دانشگاه بیرجند
author
text
article
2017
per
Fiction has always had a special place among nations but today novel is new concept that has emerged from the seventeenth century and developments to the present day. After World Wars I and II appeared in 1950 a kind of novel that ignore the rules of classic novels and cared for his creativity in the form and its content. The authors of this novel as a way of writing that's why we can`t To find rules for it can not be considered. The school does not have a theoretician and chief so it can be said that the literary school but it is a kind of important and influential that lasted three decades and created outstanding works. Although it ca`nt name it to school but abandoned it because other novels and standards anonymous and can not be considered outside of school. We want to examine this type and to examine its principles.
Rhetoric and Grammar Studies
University of Qom
2783-2619
7
v.
11
no.
2017
157
185
https://jls.qom.ac.ir/article_1005_24d7a4be54352450d80349d5a864b7c6.pdf
dx.doi.org/10.22091/jls.2018.849.1016
Hafiz And Social Criticism
mahmoud
mehravaran
دانشیار گروه زبان و ادبیات فارسی دانشگاه قم
author
mehdi
ghasemi
دانشجوی دکترای زبان و ادبیات فارسی دانشگاه قم
author
text
article
2017
per
Polyphony is one of the main secret of Hafiz's poem beauty.At the first glance , ghazaliats seems to be mystical poems but they are social ones.The social ghazals are combined with humour ،Soliloquy and his society problem.In the middle of mentioned combination,Hafiz's audible sound can be heard while he criticize his society smartly ,thereby calling humanities in the uproar of false- sage and wrongdoer .The research studies Hafiz in terms of four viewes :the criticism of government, religious organization,the current behavior and the personal traits. The result shows Hafiz is a sharp _sighted critic.His criticism is internal that accused humans more than society for causing social defect.Thus,Hafiz's criticism pays attention to humans and behavior which are symbols of his society.He belives that human is founder society.For the same reason, a society ,whether closed or open, is make by people who live in.
Rhetoric and Grammar Studies
University of Qom
2783-2619
7
v.
11
no.
2017
187
212
https://jls.qom.ac.ir/article_1011_f8c71bbf992e7f7ad082521e19e684b2.pdf
dx.doi.org/10.22091/jls.2018.1188.1043
"The role ofMalek o-Sho'arāBahārand Ahmed Shawqi in the development ofliterary tradition in Iran& Egypt,influencedbyLa Fontaine's fables."
Effat
Neghabi
Kharazmi univesity
author
Akram
Zareeyan
دانش آموخته کارشناسی ارشد دانشگاه خوارزمی
author
text
article
2017
per
The development of literary traditionusually happens through the influence oftranslated prominent literary works. These translated works by borrowing, localizing and adapting, could change the traditional categoriesin a given culture andcause a systematicdevelopment on the body of culture. Due to many similar cultural aspects (in spite of geographical and social differences) between thePersian Constitutional Revolution and Al-Nahda in Egyptlike the situation of poetry in Arabic and Persian literature, which both of them were in decline and tragic weakness, and similarities between the situation of poets and writers for redemption fromthe dominant political, social and cultural conditions, and due toconcurrencyMalek o-Sho'arāBahār and Ahmed Shawqi, we interested to find out the simultaneity and differences between their poems which were influenced by La Fontaine's fables. Thus, by selecting onepoem from each poets, we intendedto find out the simultaneity in adapting the educational concepts and throughshowingthe similar and different aspects in their individual methods, on localizing the concepts,we inferred how they havetransferred the loan concepts. It must be mentioned that surveying these two poems could help us to find out the link between the statewhich madethesepoems to be created and to find the contexts which literary traditions absorb and simulate the elements from the other traditions. In this survey the methods that literary culturesreacted to such absorptions and simulations also were introduced. Comprehensionthese two issues could explain the processof development of literary tradition.
Rhetoric and Grammar Studies
University of Qom
2783-2619
7
v.
11
no.
2017
213
244
https://jls.qom.ac.ir/article_1013_a92d55681285930cfc79ba65862db298.pdf
dx.doi.org/10.22091/jls.2018.2171.1105