Abbas Ali Vafaee Professor of Persian language and literature / Allameh Tabatabai University author Somayyeh Agha babaee Persian Language and Literature graduate student at Allameh Tabatabai University author text article 2015 per دانشگاه قم ‪۲۴۷۶-۴۱۷۵ 5 v. 7 no. 2015 7 38 http://jls.qom.ac.ir/article_473_e21de24a19b0be99bf609e8d79e35b17.pdf dx.doi.org/10.22091/jls.2015.473 Mohammad Reza Najarian Department of Persian Language and Literature / University of Yazd author Fatemh Abedini Graduate Student / University of Yazd author text article 2015 per دانشگاه قم ‪۲۴۷۶-۴۱۷۵ 5 v. 7 no. 2015 39 76 http://jls.qom.ac.ir/article_474_5621f803945f922aa52948e6f3206801.pdf dx.doi.org/10.22091/jls.2015.474 Shirzad Tayefi Allameh Tabatabai University author Sepideh Mohammadi khah کارشناسی ارشد دانشگاه علامه طباطبایی author text article 2015 per دانشگاه قم ‪۲۴۷۶-۴۱۷۵ 5 v. 7 no. 2015 77 100 http://jls.qom.ac.ir/article_475_a768b2030646e77781cfbbdf919105c3.pdf dx.doi.org/10.22091/jls.2015.475 Yadollah Bahmani Motlagh دانشیار زبان و ادبیات فارسی/دانشگاه تربیت دبیر شهید رجایی author Maryam Sivandi Associate professor of Persian language and literature / Rajaee Teacher Training University martyr author text article 2015 per دانشگاه قم ‪۲۴۷۶-۴۱۷۵ 5 v. 7 no. 2015 101 124 http://jls.qom.ac.ir/article_476_6d9bf2f1cacde2e7cc2d96217267054e.pdf dx.doi.org/10.22091/jls.2015.476 Fatemeh Soltani Department of Language and Literature, University of Arak author Tahereh Mir Hashemi PhD in Persian language and literature / University of Arak author text article 2015 per دانشگاه قم ‪۲۴۷۶-۴۱۷۵ 5 v. 7 no. 2015 125 146 http://jls.qom.ac.ir/article_477_8275e9530aa1f0b8b66c973f0af9f2ea.pdf dx.doi.org/10.22091/jls.2015.477 Jahangir Safari Department of Persian Language and Literature / University shahrekord author Ebrahim Zaheri Abdvand PhD student of Persian language and literature / University of Shahrekord author text article 2015 per دانشگاه قم ‪۲۴۷۶-۴۱۷۵ 5 v. 7 no. 2015 147 180 http://jls.qom.ac.ir/article_478_9d2beacabf753e0c4fbf8935ff3b35f1.pdf dx.doi.org/10.22091/jls.2015.478 Malahat Najafi Arab PhD in Persian language and literature author text article 2015 per Abstract The review and analysis of Persian literary works in terms of their language and gender is a relatively new issue which needs extensive research. The first theories on the issue were proposed by Robin Lakoff in his famous article "language and woman's place" which made a great development in sociolinguistic studies. For the first time, he proclaimed that men's language is different from that of women. His theories mostly suggested that manly tone dominates the language. In Iran, women's entrance into social and cultural atmospheres is of little record. Regarding the fact that women were not regarded the audience and readers of literary works, that men mostly wrote for men and manly language was regarded the best one in the past, we should wait to see whether women can create a language proper to the gender of their protagonists at the time when they have found an opportunity to enter into the field of writing novels and have written great novels so far. Zoya Pirzad is a contemporary female novelist who has attained a proper position among other novelists and received the rewards of PEKA (Institute for distribution of Iran's books) and Hooshang Golshiri Foundation for her novel as the best novel of the year and the reward of the book of the year from Ministry of Culture and Islamic Guidance etc. for writing some novels, particularly the novel "I will turn off the light".  Due to the position of this female novelist and her famous novel among contemporary novelists, the present paper seeks to review the aforementioned novel and study the dialogs of its protagonists in terms of language and gender in order to evaluate her success in this regard. The results show that she has been successful in many cases and has gone beyond linguistic norms in terms of dealing with issues specific to genders. However, she has failed in some cases, particularly in dealing with colors. دانشگاه قم ‪۲۴۷۶-۴۱۷۵ 5 v. 7 no. 2015 181 212 http://jls.qom.ac.ir/article_479_8d35e4638817bfd8716ac1278f18bead.pdf dx.doi.org/10.22091/jls.2015.479 Munir ASgr nzhad Department of Persian Language and Literature, Islamic Azad University, Tehran center author Muhammad Ali Gozashti Associate Professor of Persian Language and Literature, Islamic Azad University of Tehran, Supervisor Resale author text article 2015 per Abstract      Art and literature are two ways of creation, which are interrelated from an aesthetic point of view. Art sometimes alters its aesthetic form, which can be done through reconstruction of language, understanding and perception.      From a point of view, literature can be called art when a literary work has the unique features of an artistic work, that is, a work has been created and is not repeatable, because literature and art express an artist's feelings and affections which cannot easily be restated and repeated. Artistic creation is a kind of inspiration which is not understood by reason and logic. It can be said that beauty is the same in different arts; and painting, music and poetry are closely related because they originate from man's soul and are not so much related to material. The present paper investigates the interrelationship and mutual influence of literature and art. دانشگاه قم ‪۲۴۷۶-۴۱۷۵ 5 v. 7 no. 2015 213 232 http://jls.qom.ac.ir/article_480_68a78ed6f28c4653469e7171c4d0b9da.pdf dx.doi.org/10.22091/jls.2015.480 Batool vaez Persian Language and Literature Department of Allameh Tabatabai University author Roqieh Carol Aylvary PhD student of Persian language and literature, University of Allameh Tabatabai author text article 2015 per   Abstract The present paper analyzes one of novels in Nizami's Seven Beauties, entitled "the Black Dome", based on mythological or archetypal criticism. First the novel is reviewed in terms of its story structure and plot, based on Freytag's Pyramid. Like other classic and pre-modern novels, the narrative structure of the novel follows a linear plot consisting of rising, climax and falling or end. Then a different reading is proposed on the basis of such mythological archetypes as the category of travel, water, number, black color, mysteries, and man's descent which are rooted in men's collective unconsciousness and used as a means of narration in this symbolic novel. The review and interpretation of the archetypes which are unconsciously used in the context and narration of the novel is another pleasure of it; for example, the archetype of travel which is one of the most important mythological themes in the world of myths, fictions and novels and the whole story is formed on the basis of this category. دانشگاه قم ‪۲۴۷۶-۴۱۷۵ 5 v. 7 no. 2015 233 252 http://jls.qom.ac.ir/article_481_27f831251e21030d62ec39dadb8df1b9.pdf dx.doi.org/10.22091/jls.2015.481 Ali Syadany Department of Arabic Language and Literature, University of civil martyr Azerbaijan author Amir Moghaddam Mottaghi Department of Arabic Language and Literature, University of civil martyr Azerbaijan author text article 2015 per The present paper investigates the semantic dimensions of black color and its positive and negative functions in the poems of 'Antarah Ibn Shaddad, a pre-Islamic virtuous poet. It shows that the positive dimension of black color sometimes appears in a simile like likening it to musk and ambergris, sometimes as blackness of lover's hair or eyes and sometimes in the dark and tense atmosphere of battlefield.in all these portrayals, however, the poet tries to alleviate his hurtful soul, though passing. In negative dimension, the black color often appears as a defect which is used as a pretext by 'Antarah's relatives and friends to excommunicate him. However, using logical methods such as suggesting that blackness is blameworthy when describing bad acts or that whiteness of act cleanses bodily blackness, the poet appears as a social reformist who tries to reform wrong and meaningless beliefs of the society and replace color and gender-based discrimination with the rule of moral values. A descriptive-analytical method is used to elaborate on two contradictory dimensions of black color in this poet's Diwan (complete poetic works). دانشگاه قم ‪۲۴۷۶-۴۱۷۵ 5 v. 7 no. 2015 253 276 http://jls.qom.ac.ir/article_482_abdc6aa81f2426520710e51bbe41b4cf.pdf dx.doi.org/10.22091/jls.2015.482