khodabakhsh asadollahi; Vali Alimanesh; Zahra Fathi
Abstract
In Persian, there are several processes for word formation. The construction of various words is based on accepted linguistic criteria and standards. Deviation from these standards breaks the norms of language. In Sabk-e-Hindi (Indian school of poetry), many new words were coined. One of the most important ...
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In Persian, there are several processes for word formation. The construction of various words is based on accepted linguistic criteria and standards. Deviation from these standards breaks the norms of language. In Sabk-e-Hindi (Indian school of poetry), many new words were coined. One of the most important word-building processes in the school, which has also enriched the language, is derivation. In the Indian style, in addition to the fact that new derivative words were created according to the common rules of word formation, a kind of derivative words were created that deviated from the rules and system governing word construction. This type of word structure better illustrates the far-sightedness of the imagination and the will to the creation of new meaning. Talib Amoli, one of the most famous poets of Sabk-e-Hindi , has created a variety of new words. Among these, there are meta-normative derivative words in which, in the process of combining morphemes with affixes, transgression and deviation has occured. The present article examines and analyzes these types of words in Talib Amoli's poems. It is suggested that by using the flexibility of Persian language and innovation in the rule of derivation, Talib Amoli has promoted both the development of Persian language and the prominence of his words to show that Persian language is not pooor in terms of morphology.
khodabakhsh asadollahi; Rahim Salamat Azar
Abstract
Compiling a historical dictionary of Persian prosody can meticulously determine the creation time for certain meters, their frequency during later periods, as well as the rises and falls in the popularity of prosodic rhythms. Having access to the revised edition of Persian poetry books and Divans today ...
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Compiling a historical dictionary of Persian prosody can meticulously determine the creation time for certain meters, their frequency during later periods, as well as the rises and falls in the popularity of prosodic rhythms. Having access to the revised edition of Persian poetry books and Divans today makes this sort of research very essential and useful, particularly that there has not yet been any dictionary -with the above features- among current resources and research studies. It is evident that the first step to compile such an encyclopedia is to survey current Persian poetry books one by one, and then extract the results as the basic necessary foundation to start with. Using descriptive analysis, this article aims to meet the abovementioned essential need by analyzing the poems of Sabahi Bidguli in terms of their Radifs, rhymes, and prosodic meters. Sabahi has made use of 7 prosodic meters, among which Hajaz has more frequency. Most of his poems have Muthamman meter and noun rhyme. Furthermore, the prepositions are mostly used on letters “N” and “R” in his odes and Ghazals. The results also showed that Radif and rhythmic poems have high frequency in the Ghazals of Sabahi, whereas he has not shown much interest to them in his odes. As for lateral meter, his application of rhythmic words and vowel sounds in rhymes contributed to the beauty and melody of his poems.
khodabakhsh asadollahi; farnaz shah mohammadi
Abstract
In order to investigate the theory of the "time of narrative" of the Genette and the approach of evaluating this theory in interacting with Golestan's stories, this research has been refocused on some of its short stories. Regarding the components of the gentile narrative time in Golestan, we have to ...
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In order to investigate the theory of the "time of narrative" of the Genette and the approach of evaluating this theory in interacting with Golestan's stories, this research has been refocused on some of its short stories. Regarding the components of the gentile narrative time in Golestan, we have to separate the natural and logical timeliness of order and, in the discussion of the order of time, we examine the two separately. There were also different developments in each narrative that led us to use the definition of mother narrative and narrative of reason. The occurrence of outsourcing and the occurrence of introversion are other definitions that can be used to explain the difference in the time and speed of story and narrative. In the frequency study as one of the components of the theory, the similarity frequency, which was previously used in a paper titled "Time and Narration", was introduced in explaining the validity of the narrative frequencies. This research has been conducted through a descriptive-analytic method in which the beginning of the discussion has been based on the theory of "time and being", such as the theories of Husserl, Schutze and Heidegger. On this basis, it can be said that Sa'di's speech in Golestan is more complete than the theorem due to well-thought-out arguments.
Khodabakhsh Asadollahi; Azam Lotfi
